鞍山师范学院学报

《雪国》作为川端康成的代表作,在1957年初次登上大银幕后,收获了深远的社会反响。在松散的情节之上,电影《雪国》以其别具一格的音乐叙事、丰富多样的景物色彩以及层层渗透的物哀情怀成功地将原著中的"雪国身姿"原原本本地展现在观众眼前。通过对电影《雪国》中音乐语言的把握和色彩景观的运用进行研究,从影视作品改编的角度阐释了纯文学语言通过音乐叙述的合理阐释完成升华。

“Snow Country” as the representative work of Kawabata Yasunari aroused deep social response after it was first made into a film in 1957.Loose as the plot is, the film unfolded the beauty of “Snow Country” described in the original work before the audience's eyes with unique music narration, rich colors and sad feelings infiltrated little by little.By studying the use of music language and colorful scenery, this paper interpret the sublimation from plain literature language to music narration from the perspective of adaption of film works.